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| Roots
Dance , picture by Scheeler Devis |
Past
the beating drums and burning flames that greeted you at the door, beneath the
mysterious painted symbols and objects that reinforced everything you thought
you knew, was Vodou.
Begging
to be taken seriously.
International
painter/drum maker/recording artist Papaloko took a break from his usual identity
Saturday night and became the image of 19th century Haitian revolutionary Toussaint
L'Ouverture. The Vodou images that adorn much of Papaloko's work wanted a fresh
start as well.
No
more references to B-movie zombie tales and witchcraft. No more stigma, shame
or snickers.
This
was Vodou as respectable religion and way of life. No, it was more than that,
it was Vodou as political player.
ART
GALLERY SETTING
'This
metamorphosis took place at Papaloko's Jakmel Art Gallery, 2301 Biscayne Blvd.
The
evening honored Vodou's contribution to Haitian independence, a 1791 ceremony
known as Bwakayiman held in secret by runaway slaves.
Haitian
tradition credits the spiritual offerings made that night -- which included a
sacrificed pig -- as sparking the 13-year war of independence against France.
VOICING
IMPATIENCE
Papaloko
is no revolutionary, but he is frustrated. Nearly 200 years after his ancestors
vanquished their colonial foes, Haiti remains a study in turmoil.
''The
leaders, they love money so much,'' Papaloko complained. ``They love power. They
don't love their country.''
Maybe
the money Papaloko raised from his event -- some of which would go to help children
living in Haiti -- would help. There would be no pig's blood shed tonight, however.
''We're
sacrificing ourselves,'' Papaloko explained. ``For the kids.''
And
in the process, Vodou's contributions could be recognized.
Kwame
Awoyo was among the patrons who felt some respect for Vodou was long overdue.
''Every
day, in the mass media, they're putting down this culture,'' said Awoyo, who is
of Haitian-American descent.
DJ
Mari, who would keep hips shaking on a rear dance floor after a reenactment of
the 1791 ceremony had ended, also spoke of Vodou's ``negative connotation.''
'My
father always used to say, `Stay away from that,' '' said Mari, whose family hails
from Panama.
The
DJ's attention turned to a black-and-white pet rabbit sitting in a cardboard box.
Moments earlier, the animal's 5-year-old owner grew tired of cuddling the creature
and had walked away.
''You
haven't heard what they're going to do with that bunny, have you?'' Mari asked,
with only a slight hint of nervousness.